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~~johnnythefoxmeetsjimmytheweed~~ · 04-07-2003 04:25 PM

The trick that Waters does at the beginning of "Time" is AMAZING!

I had always imagined the sound to be a keyboard or metronome sample or something...when i saw that, i couldn't believe it...

...another example of Pink Floyd's ability to stretch simplicity using subtle techniques, like a guitar pick plucking the strings, whilst palm muting past the fretboard.....very simple but oh so sweet!!!!!!!!!!

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BritRowBrickCo · 04-07-2003 05:44 PM

lol my friend said the same thing when we watched ITF. i think he's doing that at the beginning of childhood's end too. :Oo:
peace & shine on

dogpatch! · 04-08-2003 09:11 AM

nice name, brit row

BritRowBrickCo · 04-08-2003 11:15 AM

thanks, few people outside the context seem to get it. :Oo:

~~johnnythefoxmeetsjimmytheweed~~ · 04-09-2003 11:34 PM

BritRowBrickCo Wrote:thanks, few people outside the context seem to get it. :Oo:

what.....'britrow' as in dave gilmour's recording studio?

**PFOnline** · 04-13-2003 03:13 PM

hehe, I don't think I thought about or got the name until now...

I'm guessing "BritRowBrickCo" has something to do with The Wall. aka "bricks"?

BritRowBrickCo · 04-13-2003 06:34 PM

i read in saucerful of secrets i think that the road crew that built the wall during the concerts when by brit row brick company, for britannia row studios. :Oo:

**PFOnline** · 04-17-2003 01:36 PM

Ohhhh, hehe. Very clever/cool.

temporianbard · 05-18-2003 02:28 PM

Back to the original message, another cool inovation was the sonar sound at the start of echoes. Does everyone know its simply Wright striking a highnote on a piano, with a bit of a reverb effect?

Roger's finest bass hour has to be the wonderful riff on One of These Days. The delay effect just makes it perfect. I mean a song like that hasn't been written before or since. Its bloody genious!

I'm not a "Meddle" freak by the way, they were just the examples that popped into my head.

FloydWright · 05-18-2003 06:51 PM

That "reverb effect" was accomplished by running the sound of the piano into a Leslie speaker. A Leslie is traditionally used to give the Hammond organ its distinctive "swirly" sound. Basically, the Leslie is similar to a tornado/air raid siren. The "horn" rotates, creating that sound.

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