Joined: Mar 2005
Scream Thy Last Scream Wrote:The Pros and Cons of Hitch Hiking..... When dissected carefully, The Pros and Cons of Hitch Hiking becomes a fascinating conceptual voyage into the workings of the human psyche. As an abstract peering into the intricate functions of the subconscious, Waters' first solo album involves numerous dream sequences that both figuratively and symbolically unravel his struggle with marriage, fidelity, commitment, and age at the height of a midlife crisis. While the songs (titled by the times in which Waters experiences each dream) seem to lack in musical fluidity at certain points, they make up for it with ingenious symbolism and his brilliant use of stream of consciousness within a subconscious realm. Outside from the deep but sometimes patchy narrative framework, the music slightly lacks in rhythm or hooks, except for the title track that includes some attractive guitar playing via Eric Clapton. David Sanborn's saxophone is another attribute, adding some life to "Go Fishing" and "The Pros and Cons of Hitch Hiking." But it's truly the imagery and the visual design of the album that is front and center, since the importance lies in what Waters is trying to get across to the audience, decorated somewhat casually by his singing and the music. With Pink Floyd, the marriage of Waters' concepts and ideas with the talented musicianship of the rest of the band presented a complete masterpiece in both thought and music, while his solo efforts lean more toward the conceptual aspects of his work. With this in mind, The Pros and Cons of Hitch Hiking continues to showcase Waters' unprecedented knack of addressing his darkest thoughts and conceptions in a most extraordinary fashion.
I love you (in a non-homoerotic sense). :D
Fav Song Go Fishing
Radio K.A.O.S......... Roger Waters' second solo album is yet another conceptual narrative, one that tells the tale of a wheelchair-bound boy who tries to halt the threat of nuclear war through his use of the HAM radio. The story line isn't held together as tightly as his first album, and the whole fable seems a little too far fetched, even when taken lightly. Unlike The Pros and Cons album, the music here overrides the narrative, but not by much, highlighted by the upbeat pop single "Radio Waves." The last tune, entitled "The Tide Is Turning," is the only other focal point of the album, an honest-sounding ballad that relinquishes a glimmer of hope in an otherwise unpromising world. Waters' anti-war theme is stretched full across the album, but the music itself struggles to capture any attention, bogged down by half-whispers and flat-lined melodies that are only slightly resuscitated from time to time with some trumpet and saxophone. The novelty of Los Angeles disc jockey Jim Ladd wears off quickly, as he was obviously used to add some lightheartedness to the album's pessimistic undertones. Waters' use of imagery and thematic depth are absent from Radio K.A.O.S., leaving his superficial spiel with barely any sustenance, which in turn hinders the moral of the album so that it fails to reach its fruition. While both The Pros and Cons of Hitch Hiking and Amused to Death convey his talented use of concept, imagination, and lyrical mastery, this album seems to be nothing more than a fictional tale with a blatantly apparent message.
Fav Song-----Radio Waves
Amused To Death.......... Amused to Death is a solid album both conceptually and musically, showcasing Waters as an artist who, like his work with Pink Floyd, conveys his thoughts and ideals with pinpoint accuracy so that they are engraved within his audience's mind. With this album, Waters touches heavily on the dangers of capitalism, the insensitivity of the human race, the ridiculousness of war, and the onslaught of mindless entertainment that encroaches on mankind on a day-to-day basis. Fitting all these aspects into 14 songs is a task in itself, but accomplishing this task alongside music that is forceful and appealing is extremely difficult, and still Waters succeeds in doing this throughout the duration of the album. "The Ballad of Bill Hubbard" is a moving spoken intro from Alf Razzell, a former member of Britain's Royal Fusiliers. A stab at the false sense of security that lies within religion is dealt with on the powerful "What God Wants, Pt. 1," and the cowardice of the world's leaders is addressed in "The Bravery of Being Out of Range," one of the albums most blatant tracks. Guest guitarist Jeff Beck rises to the occasion on a number of songs here, and both Rita Coolidge and Don Henley fill in behind and beside Waters on a couple of the longer tunes. Ending with the title track, a song that sums up the whole of the album with it's subtle yet hard-hitting demeanor, Waters proves that he can still reveal his conceptual ideas with pristine clarity, only on Amused to Death, the music is as equally entertaining and effective.
Fav Song(s)----Every One Of Them
That was awesome, Scream.